Gold from the statue of the prince is scattered to the citizens, in a production of the Williamson opera The Happy Prince set in contemporary Detroit, April 2013 at the Detroit Opera House. Photographer: Mitty Carter.
“A production by the Michigan Opera Theatre Children’s Chorus, it reset the work (based on an Oscar Wilde story) in contemporary Detroit, without doing any damage to the lithe score or the delicate storyline. …in a clear staging by Michael Yashinsky, the work had a joyful presentation.” —Opera (November 2014) on The Happy Prince at the Detroit Opera House
Nokh tsvelf baynakht (After Midnight: A Yiddish Fantasy) (Dayksel), Two Muses Theatre, May 2015
Poster: Mikhl Yashinsky
The production as covered on the front page of Der forverts (The Forward), the world’s oldest and largest Yiddish newspaper.
How Nanita Learned to Make Flan (Gonzalez-Medina), Michigan Opera Theatre – locations around Detroit, April–June 2015 and ongoing
Brundibár (Krasa) and Lilies Among Thorns (Yashinsky), Michigan Opera Theatre – Detroit Opera House, March 2014
Directing a tableau. Photographer: Mitty Carter
The tableau in performance. Photograph: Ken Jacobsen, Jr.
Photographer: Mitty Carter
Photographer: Mitty Carter
Photographer: Mitty Carter
Photographer: Ken Jacobsen, Jr.
Photographer: Ken Jacobsen, Jr.
The Happy Prince (Williamson), Michigan Opera Theatre – Detroit Opera House, April 2013
Poster: Monika Essen
Photographer: Mitty Carter
Photographer: Mitty Carter
Photographer: Mitty Carter
Photographer: Mitty Carter
Photographer: Mitty Carter
Photographer: Mitty Carter
Photographer: Mitty Carter
Tosca (Puccini), Lowell House Opera, February–March 2010
Poster: Vic Yambao
The Gondoliers: or, The King of Barataria (Gilbert & Sullivan), Harvard-Radcliffe Gilbert and Sullivan Players – Agassiz Theatre, April 2009
Poster: Vic Yambao
Mikhl Yashinsky: Theatrist & YIDDISHIST 
